〔第三届天鹅之风莎士比亚研究研习班〕第7讲

莎士比亚戏剧之物与文化文本补缺

题  目：Shakespearean Objects and the Remediation of Culture Texts

主讲人：Sandro Jung 教授

时  间：2023年5月18日19:00-21:00

地  点：beat365711教室

直  播：https://b23.tv/3xwNfj

主讲人：Sandro Jung is Distinguished Professor of English and Comparative Literature and Director of the Centre for the Study of Textual Cultures at Fudan University. A Past President of the East-Central American Society for Eighteenth-Century Studies, a former Senior Fellow of the Alexander von Humboldt Foundation, and the recipient of two European Union Marie Curie long-term fellowships, Jung has been the Editor-in-Chief of the quarterly journal, ANQ (Routledge / Taylor & Francis) for the past 11 years. He, furthermore, serves as General Editor of the Lehigh University Press book series, Studies in Text and Print Culture. Jung has produced over 200 publications, including more than 130 A&HCI articles. He is the author, among other monographs, of David Mallet, Anglo-Scot: Poetry, Politics, and Patronage in the Age of Union (2008), The Fragmentary Poetic: Eighteenth-Century Uses of an Experimental Mode (2009), James Thomson’s The Seasons, Print Culture, and Visual Interpretation, 1730-1842 (2015), The Publishing and Marketing of Illustrated Literature in Scotland, 1760-1825 (2017), Kleine artige Kupfer: Buchillustration im 18. Jahrhundert (2018), and Eighteenth-Century Illustration, and Literary Material Culture (2023). 

内容简介:

This lecture will contextualize a largely unstudied body of Shakespearean literary material culture (predominantly deriving from the extensive collection of the Victoria and Albert Museum) and explain in which ways these objects served as textual platforms that conveyed knowledge of the dramatist’s works. In the process, it will illuminate the strategies of meaning-making as part of which reader-viewers of the objects apprehended textual inscription. The bard’s plays were remediated in numerous material forms that often utilized visualizations of Shakespearean works produced for the print culture of the day: the same images and iconic renderings of Shakespearean scenes circulated widely in the material culture of the day, including, among many others, on furniture, tea trays, screens, and miniatures.